(2016) The Girl with all the Gifts

This is definitely a slow burn and I think it will inevitably lose a lot of people during its tedious storytelling. It’s not a entirely new approach to zombie movies but I believe this film tackles the specific sub-genre with enough uniqueness to consider it a success.

I appreciated the focus on the contagion being the enemy as opposed to the zombies itself. That aspect of the film is both refreshing and told in a very believable sci-fi fashion.

Glenn Close put out a nice performance as did our young lead. I don’t have too much else to say about this one, really solid stuff and it’s streaming on Amazon Prime right now.


(2006) Fido

My girlfriend has seen this before so I told her I was watching it. When she asked how I liked it I said it was “charming”. That’s not a typical response from me but one that i feel accurately represents the film if you had to choose a word to describe it.

Fido is humorous and witty; while not making me laugh out loud a ton, it put a smile on my face. A lot of that is attributed to 1950’s suburbia but the film captures that era perfectly so why not praise it?

This movie kind of creates that instant universe that feels so well knows despite no background knowledge, much like The Addams Family. That’s such a remarkable quality in and of itself that the cover’s “instant classic” tagline doesn’t even seem all that silly.

If you’re just looking for a non-thinker, pure entertainment horror-comedy, look no further.


(2006) The Host

A lot of the humor in The Host┬ádidn’t particularly appeal to me as I thought the overarching drama kind of weighed that down. I recognize it as somewhat intentional but I’m writing many of these scenes off as awkward.

Some of the attempts at dark humor were in regards to how the father figure was dealing with grief. We have these really unforgiving family members that subsidize their morbid humor under the veil of 80’s style espionage gags. I think back to the scene where they’re all disguised, paying off the officer or whoever with a bag of coins and that scene just doesn’t tie into the rest of the films tone.

Another aspect I didn’t care for was the CGI monster. I’m not saying they skimped on the CGI but I was definitely not impressed. It rudely interjected the films beautiful photography and I just can’t forgive CGI water effects on top of naturally beautiful water effects.

One thing I did love was the films statement on Americans interjecting into foreign affairs. I thought it was both subtle and deliberate. In the copy I watched, after the brain procedure on one of the characters, the subtitles seemed to purposefully vanish during the translation scene and it was just amazing. The film follows up that with a few more clever jabs to make it a successful and also significant overarching theme.

Overall, I’d say The Host seems a bit jumbled to me personally but I can absolutely see the appeal. It’s a very capable and intelligent film that I think, at the very least, warrants a discussion.


(1955) The Night of the Hunter

This one was recommended to me but I should add a disclaimer that I think it might loosely fit the genre for most people. With that being said, it’s a fantastic film.

The story itself is very sinister and for that reason, it absolutely belongs on this blog. While 1950’s cinema will rarely be “scary” to me, the situation as a whole uneases me. Harry Powell, especially after his initial introduction, plays a genuinely creepy character.

The film just looks fantastic, I mean seriously, it doesn’t get much better for the era. The depth for a black and white film is incredible, especially in the backdrops. It makes for some really iconic looking scenes and those moments are probably what I’ll hold onto as time passes. The underwater shot of the car was fucking stunning.

My only one small complaint would be the slightly hallmark style ending. I didn’t think it felt disingenuous, but it wasn’t exactly to my style.

I’d highly recommend this, almost especially if you have a short attention span for the classics. The story is fluid and paced really well.


(1935) Bride of Frankenstein

Hands down the best universal monster movie I’ve seen so far. I was straight drooling over those set pieces.

Boris Karloff is the only Monster in my mind. I would even consider this film to be family friendly as he’s the sweetest version of himself. There’s no really complex character development but The Monster is undoubtably more self aware which makes the entire film more engaging.

I don’t really have any complaints, it doesn’t get much better than this for horror in the 1930’s.


(2002) May

I can’t wipe the smile off my face, May is fucking incredible.

At it’s heart, it’s a deliciously quirky film meant to make you feel the full spectrum of cringe. The lead actress is wonderful, I haven’t seen someone fully encompass a role like that in a long time. I feel like not everyone can see that talent through the veil of a seemingly odd soundtrack and intentionally clunky storytelling.

That’s the craziness of it all though, it plays out at the speed of a 90’s romantic comedy but yeah, I don’t even know what I’m talking about. It’s probably not as good as I think it is. I don’t even give a shit though, I found it to be so original, creepy and funny.


(2016) Raw

This one actually was the first film in a long time to shock and disgust me so much. I wouldn’t even consider any of the methods to do so cheap either.

It’s an all around, very strange but really clever story. The backbones are revealed slowly enough to confuse you and make you question how you arrived at certain points but it all ends wrapping up nicely.

I’d consider this sort of an arthouse film stylistically. It works to disgust both visually and sonically at the same time. These artistic choices definitely trump the films plot. Because of how well made the movie is on a technical level, it actually makes a very simplistic plot, incredibly engaging.

The more I think about it, the more praise I can give it. Even under the surface of all the violence lies a very raw (heh) coming of age story. I don’t think it’s a stretch to even say that it’s a strong statement on the uncomfortableness that comes with learning about your own body.

Anyways, if you’re into almost psycho-sexual films and have a strong stomach, I think you’ll really dig this.