I laughed harder at the little kids play/blood scene than I have in years. You know when you start laughing and it just kind of grows maniacal? My stoned girlfriend was laughing along encouragingly at first while I heckled insatiably and begin to pour tears. I shit you not, the blood just keeps pouring out from these girls and I’m just laughing harder and harder. I realized I was just stoned and the laughter, or just shallow, breathless convulsions at this point, start to make me nervous as a physically couldn’t stop. If your girlfriend ever told you your laugh was cute, this was not one of those laughs.
I finally stop laughing and feel the post laugh endorphin rush. Realizing that’s the happiest I’ve been in months thankfully brought me back down to a comfortable, operational depression.
I’m very much torn on this film. I do think it’s tedious nature is incorporated purposefully into the well crafted atmosphere but it also stands out as a fault in a film that’s way too long.
This fucking movie is two and a half hours long. I understand Gore is used to doing big Pirates of the Caribbean movies but I just don’t think that length directly translates to a horror film. When I think of films that have been really successful at this length, such as The Shining, they all have one thing in common which is an intricate, compelling story line. A Cure for Wellness doesn’t have this. I know people think it does but the plot is actually very basic. The confusion is that in stark contrast to the big Hollywood style digital production, it seems shockingly brazen.
Now if it seems like I didn’t like the ending, that’s not the case. I loved the ending, I just wish we had arrived there sooner. I was expecting a deep psychological thriller and given what I had been fed after two hours, there just wasn’t enough substance to pull off anything too deep. What they could settle with, was boldness. The ending is pure, enjoyable horror but still an unsavory result of a frustratingly unabridged film.
I really appreciate our lead Dane DeHaan, who no one in the community is talking about. I’m not inclined to specifically bash his acting, but as an entire package, he’s the Walmart Leo Dicaprio. When they loaded this prepubescent man child into the role of stressed out, corrupt, wall street guy, I thought I accidentally started watching a live action movie of Boss Baby.
While on the subject of acting though, I will say that Jason Isaacs is an absolute delight. His performance is villainous and cold. I really think in terms of acting, he and Mia Goth are the only two people worth talking about. I’m not sure if Mia just looks kind of creepy or if her acting is actually capturing that talented, subtleness but either way, I enjoyed her performance.
Overall, I’d have to say this film very much validates both the opinions of people who loved it and others who were disappointed.
I’m not feeling this one at all. It’s just stupid; just a stupid, loose interpretation of Edgar Allen Poe’s poem.
Even Vincent Price managed to kind of piss me off here. I get this era and the silliness that comes along with it but I just found this film in particular to be unbearable.
I actually found this film to be pretty tactless but I couldn’t help but also feel like it just wasn’t my cup of tea.
First off, as my regular readers know, I’m not a huge fan of heavy filters, especially ones that tend to naturally bore. The filter on this film does exactly that, it bored me to tears. When everything looks the same, nothing looks good.
When I say this movie is tactless, I really just mean that it’s filmed for a generally unintelligent audience. In that sense, I can see how they made this into a franchise film. Everything is explained directly to the audience from the characters so there’s no confusion as to what’s going on or who’s who. That’s a shitty way to explain it but hopefully you get what I mean.
I thought the climax looked really stupid but that’s also just my opinion, I don’t necessarily think it’s weak on any major technical level.
While Kate Beckinsale’s leather body suit may have unearthed yet another fetish for me, I don’t think this is a good film. It’s not terrible by any means, just not my cup of tea.
Well fuccin eh ya cunt, we got a bloody great werewolf movie right here. But seriously, this is an awesome movie and one that I’d toss in there with any of the top werewolf movies.
It just really defies expectations one minute at a time. I spent the entire portion of the finale just smiling, wondering how they made such a great movie out of a seemingly stupid premise.
The performances are very early 2000’s to begin with and then the script suddenly starts tossing in these really insightful moments. It just makes for a special experience and the kind of film you can see tossing in your regular Halloween rotation.
In conclusion, tons of awesome practical effects. Oh right, I never talked about that but yeah, zero CGI in this bad boy. It’s a ton of fun, it’s action packed, it has dogs, it has dog soldiers, it has- well, you get it.
This was a great, cheesy 80’s horror that also kind of had a heart. It’s sometimes difficult to tell which movies from this era are just enjoyable for the absurdity of the dated effects but I believe House is intentionally funny when it means to be.
It’s just a fun movie; little bit of drama, humor and tons of ridiculous practical effects. If you’re in a cheesy horror movie mood and want to sway away from the big shitters then dive into this guy right here.
Nightbreed was a little too long for me and almost just too much in general. I’m not attempting to shit all over it but I think that it kind of lacked an identity.
It made me think a lot about Hellraiser actually and what made the sequels worse than the original. It’s really all about the cenobites and the actual demon/hell world just flat out looking a little goofy. Is it fun? Fuck yeah it is, tons of awesome makeup design and practical effects to boot. But the thing is, for one, it’s not fucking scary. Even more important that that, there’s no fucking scale here. The world of Midian in Nightbreed felt small and contrived to me. A big budget remake could really fix a lot of my complaints here, which is something that hurts to say, especially with Clive Barker’s name attached to the project.
The best parts of this movie are the practical effects, even if i thought the story was shit they would have held my attention. Fortunately, the story really is great. It’s a great introduction to seeing monsters as the good guys, hiding from the true evil in humanity. I just didn’t really get any of this in the execution, it was far too goofy to take seriously.
Also, David Cronenberg is awesome in this, such an unexpectedly solid performance.
It’s just too fucking long man.