Another annoying shitty grey/blue filter that I’m not going to rant about because regular readers know how much I hate it. It’s there though and it’s shitty.
The film as a whole is I guess, upon conclusion, not as terrible as it builds itself up to be. The on screen relationships are all incredibly shallow and cliche. The dialogue is annoying and the acting is pretty shitty to boot. It’s also pretty fucking boring which is an easy blanket complaint.
The conclusion however, was actually pretty exciting. I realized that the director did a fine job not revealing too much of our monster and despite my frustration, I did admittedly just want to get a good look at the cocksucker. The monsters depiction through the film is a mix of practical and CGI effects. The practical effects are pretty dope and the CGI ones are low-budget shit.
I don’t know, it’s on Netflix. It’s not a garbage fire or anything but I don’t see a reason to watch it unless you’re incredibly bored, very run of the mill horror.
I wanted to hate this because just the idea of a silent film being made in 2005 seems ridiculous. I enjoy silent films like Vampyr and Nosferatu genuinely but also out of an appreciation for the level of creativity established within the confines of the time periods technological limitations.
With The Call of Cthulhu, I actually kept forgetting that I was watching a modern silent film. It’s a true homage to that era. The visuals were great, loved the dated animation and set pieces. The acting was on point, you know, over the top expressionism and such.
It’s a simple and brief journey back in time. With that being said, if no one could make another silent film, that would be great.
Straight up, this is a totally fun movie and the title itself really pigeon holes it because it’s basically all the Universal monsters.
This is the first Abbott and Costello film I’ve ever seen and I actually found it to be quite funny. It’s a simple story but I think that works really well with the style of humor.
The only parts I waver on from time to time is The Monster played by Glenn Strange (he’s just okay) and the visual effects which are interesting. The visual effects kind of employ some very dated animation transitions which are definitely shitty but also fucking amazing.
All in all, enjoyed this way more than I expected to. It aims sort of high and hits sort of high.
A lot of the humor in The Host didn’t particularly appeal to me as I thought the overarching drama kind of weighed that down. I recognize it as somewhat intentional but I’m writing many of these scenes off as awkward.
Some of the attempts at dark humor were in regards to how the father figure was dealing with grief. We have these really unforgiving family members that subsidize their morbid humor under the veil of 80’s style espionage gags. I think back to the scene where they’re all disguised, paying off the officer or whoever with a bag of coins and that scene just doesn’t tie into the rest of the films tone.
Another aspect I didn’t care for was the CGI monster. I’m not saying they skimped on the CGI but I was definitely not impressed. It rudely interjected the films beautiful photography and I just can’t forgive CGI water effects on top of naturally beautiful water effects.
One thing I did love was the films statement on Americans interjecting into foreign affairs. I thought it was both subtle and deliberate. In the copy I watched, after the brain procedure on one of the characters, the subtitles seemed to purposefully vanish during the translation scene and it was just amazing. The film follows up that with a few more clever jabs to make it a successful and also significant overarching theme.
Overall, I’d say The Host seems a bit jumbled to me personally but I can absolutely see the appeal. It’s a very capable and intelligent film that I think, at the very least, warrants a discussion.
Hands down the best universal monster movie I’ve seen so far. I was straight drooling over those set pieces.
Boris Karloff is the only Monster in my mind. I would even consider this film to be family friendly as he’s the sweetest version of himself. There’s no really complex character development but The Monster is undoubtably more self aware which makes the entire film more engaging.
I don’t really have any complaints, it doesn’t get much better than this for horror in the 1930’s.
I’m done! 365 movies in 365 days!
This movie unfortunately was terrible but also not terrible enough to entertain via its shittiness. Someone gave this a decently sizable budget for CGI, what a poor investment.
Alright, well, this wasn’t that great but I still love these universal monster set pieces. The special effects from this era are always entertaining, even though I know many feel the opposite.
I guess my biggest complaint would be The Monster. They were really missing Boris Karloff. This other guy really wasn’t impactive in the role.
Other than that, it’s just kind of a silly film. I think it’s meant to be fun but I enjoyed Son of Frankenstein way more.